Thursday, August 13, 2009

BUDDHISM IN THE GLOBAL AGE OF TECHNOLOGY



An interesting talk by a distinguished scholar of Buddhism, Lewis Lancaster, who founded the Electronic Cultural Atlas Initiative to use the latest computer technology to map the spread of various strands of Buddhism from the distant past to the present. Series: "Burke Lectureship on Religion & Society".


This map indicates trading routes used around the 1st century CE centered on the Silk Road. The routes remain largely valid for the period 500 BCE to 500 CE. Map source.

Professor Lancaster claims in the above video that Buddhism became the first international religion, transcending language and culture, because it was so "portable." Christianity borrowed the concept of relics and monasteries from Buddhism, he claims.

As can be seen in the map above (click to enlarge), Buddhism having originated in Gandhara (red circle), straddling the Silk Road, would explain the rapid rise of Buddhism along towns and cities along the Silk Road. If it had originated in North India (blue circle), off the beaten track as it were, it wouldn't have spread so rapidly.

VIDEOS RE BUDDHISM (VARIOUS SOURCES)

1. This video explains Buddha's Enlightenment, but it also goes on to state that Buddha expressly forbade images of himself to be made. Now where do they get this? In the entire corpus of Buddhist literature, scholars have been able to find only a single, indirect reference to a proscription against the creation of Buddha images, and that is limited to the context of a single Buddhist sect, (See John C. Huntington, "The Origin of the Buddha Image: Early Image Traditions and the Concept of Buddhadarsanapunya.") The video takes us to Ajanta to show that images of Buddha were absent in the early paintings and sculptures , and only two centuries later was this rule broken and Buddha images began to be made, in the ancient Gandhara region, due to Greek influence. Some buddhologists believe that if the Buddha is not shown simply indicates that the Buddha was not present at the time depicted in the painting or sculpture, such as pilgrimage sites after the death of the Buddha. And the Buddhist symbols the pilgrims are worshipping, such as his footprint, the Wheel of Dharma, a stupa, or whatever, is actually the focus of the sacred site. See here, and video #5 below for a traditional view of aniconism.
When the Buddha died, according to legend his relics were divided into eight portions and placed in stupas. If his relics could be worshipped, what would be the point in prohibiting his image from being worshipped too? After all, the purpose of dividing up and distributing the relics was to propagate the faith. Any site which gained those relics automatically became a sacred site. If buddha images could also help propagate the faith, well and good.
According to Sally Hovey Wriggins in Xuanzang, A Buddhist Pilgrim on the Silk Road, "Accurate likenesses exist in only three replicas which the Buddha was said to have granted in his lifetime--the sandalwood image made for King Udayana, the golden image made for King Prasenajit, and the shadow."

If this is correct, the Buddha himself had no objection to having images made. Indeed, I cannot see what objection Buddha would have had to creating images in his likeness, if it would help his followers to remember him by and propagate the faith.

The video also claims that a century after Buddha's death, missionaries spread Buddhism westwards to Gandhara where hundreds of monasteries were established. Some cults and religions, such as early Christianity after Constantine and the cargo cults of New Guinea, may have grown rapidly, but as I've argued elsewhere, this could hardly have happened to a religion like Buddhism in a mere century or two after the death of its founder. But after Ashoka, Buddhism being a scripture religion with a strong appeal to emotional devotees and rational intellectuals alike, a religion driven by powerful expansionist forces in human shape: zealous missionaries, talented scholars surrounded by devoted pupils, and ingenious translators, did make quite rapid headway in gaining converts.
2. The video above, taken from the BBC series "In the footsteps of Alexander the Great," shows scenes from Gandhara, such as the Swat Valley.
3. The video above shows the Bamiyan buddhas, in the Greater Gandhara region, being destroyed, and rebuilt.
4. Alexander-the God King, (parts 4 & 5), above and below, claim that the divinity of Alexander the Great set the example for the divinity of Jesus and Buddha (Part 4 begins at 6:45 minutes).



5. Aniconism in Early Buddhist Art, above, (Open Source Buddhist Research Institute - Madison), gives a traditional view of aniconism, which refers to the art in which portrayals of the Buddha in human form did not occur.


6. The Jataka Tales, above, (Open Source Buddhist Research Institute - Madison), gives a traditional explanation for the sources of the Buddha's birth stories.
7. Nalanda: A History Through Architecture (above) shows just how vast the Buddhist university at Nalanda was before it was destroyed by Muslim invaders in the twelfth century CE. You can watch another video on Nalanda here.
8. Gandhara Art and Archaeology (above).


9. Ancient Buddhist Kingdom, Bamiyan Valley (above).

10. Sanchi Stupa (above).

11. Bharhut Stupa (above).
12.Sarnath (above).



13. Greek Buddhism (above).

by Mike Watters through professor Rev. Dr. James Kenneth Powell II, opensourcebuddhism.org 

Well, where to start! This is a compendious 41 min detailed study of the intriguing interactions among Greeks, Indian and Buddhism as a major conduit of communication. I learned a lot in this. I had associated the Skeptics and Stoics with possible Buddhist connections, but not the Cynics. Diogenes is certainly a Buddhist man in the West. The contrast between his view and Socrates/Plato was well stated. He is certainly more in agreement with the Buddha than the others. Watters chronicle of the origins and development of the Alexandrian then Ashokan civilizations was concise yet replete with sufficient details. The travels of the 2 Greek Dharmaraksitas was in particular fascinating. I hadnt heard of this man! Taking Greek Buddhist to Sri Lanka, so far away amazing! The King Menander segments really push home Buddhisms taking root in central Asia and the philosopher Nagasenas argument was a pivotal moment in history. Super job transitions, panning far more than I requested - one of if not the very best ever.

THE HERO WITH A THOUSAND FACES

What can we say of a supposed historical figure whose life story conforms virtually in every detail to the Mythic Hero Archetype, with nothing, no "secular" or mundane information, left over?... Thus it seems to me that Jesus must be categorized with other legendary founder figures including the Buddha, Krishna, and Lao-tzu. There may have been a real figure there, but there is simply no longer any way of being sure."
Robert. M. Price.

The story of the Buddha’s renunciation, the homeless life, and enlightenment, is the standard path of the mythological adventure of the hero and represents an embellishment of the formula represented in the rites of passage: separation—initiation—return.

According to Joseph Campbell, this may be named the nuclear unit of the monomyth, or the hero’s journey, and takes the following form: A hero ventures forth from the world of common day into a region of supernatural wonder; fabulous forces are here encountered and a decisive victory is won; the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.


At heart, despite its infinite variety, the hero's story is always a journey. A hero leaves his comfortable, ordinary surroundings to venture into a challenging, unfamiliar world. It may be an outward journey to an actual place: a labyrinth, forest or cave, a strange city or country, a new locale that becomes the arena for his conflict with antagonistic, challenging forces.

But there are as many stories that take the hero on an inward journey, one of the mind, the heart, the spirit. In any good story the hero grows and changes, making a journey from one way of being to the next: from despair to hope, weakness to strength, folly to wisdom, love to hate, and back again.

The stages of the Hero's Journey can be traced in all kinds of stories, not just those that feature "heroic" physical action and adventure. The protagonist of every story is the hero of a journey, even if the path leads only into his own mind or into the realm of relationships.

Consider these twelve stages as a map of the Hero's Journey, one of many ways to get from here to there, but one of the most flexible, durable and dependable:

THE STAGES OF THE HERO'S JOURNEY as exemplified by the story of the Buddha.


  1. Ordinary World; for the first 29 years of his life Buddha lived in his father’s palace. (Jesus lived in obscurity for 29 years of his life before he began his ministry. See Christian-Buddhist link.)
  2. Call to Adventure; he meets a sick man, an old man, and a corpse which cause him to be dissatisfied with the Ordinary World and determines to go in search of salvation.
  3. Refusal of the Call; Buddha of course is too great a person to be deterred once his mind is made up, even though he has to give up his wife and child.
  4. Meeting with the Mentor; he meets a mendicant and decides he wants to follow his example in leading an ascetic mendicant life.
  5. Crossing the First Threshold; the young prince sets forth secretly from his father’s palace.
  6. Tests, Allies, Enemies; for years he wanders through the forest meeting and learning from other ascetics, studying meditation, practicing austerities, searching for salvation.
  7. Approach to the Inmost Cave; he fasts almost to the point of death but decides that extreme asceticism is not the correct way to salvation. He is given a sign telling him that he will soon achieve enlightenment.
  8. Ordeal; Buddha is approached by the god of love and death who tempts him to give up his quest. The god brings his daughters to tempt the Buddha with lascivious thoughts and gestures. But the Buddha cannot be diverted from his aim.
  9. Reward (Seizing the Sword); Having won that preliminary victory before sunset, the Buddha acquired in the first watch of the night knowledge of his previous existences, in the second watch the divine eye of omniscient vision, and in the last watch understanding of the chain of causation.
  10. Resurrection; achieves enlightenment.
  11. The Road Back; Buddha decides not to remain in the Special World but to return to the Ordinary World to teach others how to achieve enlightenment.
  12. Return with the Elixir; the dhamma preached by the Buddha is the elixir which will benefit all mankind.
(Sources: The Hero with a Thousand Faces by Joseph Campbell, and The Writer’s Journey by Christopher Vogel).


Sakyamuni Buddha Beneath the Bodhi Tree. Bowornnivet Temple, Bangkok.
The Buddha’s enlightenment is the most important single moment in Oriental mythology, a counterpart of the Crucifixion of the West. The Buddha beneath the Tree of Enlightenment (the Bo Tree) and Christ on the Holy Rood (the Tree of Redemption) are analogous figures, incorporating an archetypal World Savior, World Tree motif, which is of immemorial antiquity. Many other variants of the theme will be found… The Immovable Spot and Mount Calvary are images of the World Navel, or the World Axis. The calling of the Earth to witness is represented in traditional Buddhist art by images of the Buddha, sitting in the classic Buddha posture, with the right hand resting on the right knee and its fingers lightly touching the ground.

The point is that Buddhahood, Enlightenment, cannot be communicated, but only the way to Enlightenment. This doctrine of the incommunicability of the Truth which is beyond names and forms is basic to the great Oriental, as well as to the Platonic, traditions. Whereas the truths of science are communicable, being demonstrable hypotheses rationally founded on observable facts, ritual, mythology, and metaphysics are but guides to the brink of a transcendent illumination, the final step to which must be taken by each in his own silent experience. Hence one of the Sanskrit terms for sage is muni, “the silent one.” Sakyamuni (one of the titles of Gautama Buddha) means “the silent one or sage (muni) of the Sakya clan.” Though he is the founder of a widely taught world religion, the ultimate core of his doctrine remains concealed, necessarily, in silence. (The Hero With a Thousand Faces, Joseph Campbell.)

Below is one version of the Buddha's legend, adapted from The Hero With a Thousand Faces by Joseph Campbell. Little of it can be taken to be historical and before the modern period Buddhists were content to read it quite literally. For a Thai version, see here.

The traditional legend of the great renunciation of the Buddha is a representation of the difficulties of the hero-task, and of its sublime import when it is profoundly conceived and solemnly undertaken. The young prince Siddhartha Gautama set forth secretly from his father’s palace on his steed Kanthaka, passed miraculously through the guarded gate, rode through the night attended by the torches of four times sixty thousand divinities, lightly hurdled a majestic river eleven hundred and twenty-eight cubits wide, and then with a single sword-stroke sheared his own royal locks—whereupon the remaining hair, two finger-breadths in length, curled to the right and lay close to his head. Assuming the garments of a monk, he moved as a mendicant through the world, and during these years of apparently aimless wandering acquired and transcended the eight stages of meditation. He retired to a hermitage, bent his powers six more years to the great struggle, carried austerity to the uttermost, and collapsed in seeming death, but presently recovered. Then he returned to the less rigorous life of the ascetic wanderer.

One day he sat beneath a tree, contemplating the eastern quarter of the world, and the tree was illuminated with his radiance. A young girl named Sujata came and presented milk-rice to him in a golden bowl, and when he tossed the empty bowl into a river it floated upstream. This was the signal that the moment of his triumph was at hand. He arose and proceeded along a road which the gods had decked and which was eleven hundred and twenty-eight cubits wide. The snakes and birds and the divinities of the woods and fields did him homage with flowers and celestial perfumes, heavenly choirs poured forth music, the ten thousand worlds were filled with perfumes, garlands, harmonies, and shouts of acclaim; for he was on his way to the great Tree of Enlightenment, the Bodhi Tree, under which he was to redeem the universe. He placed himself, with a firm resolve, beneath the Bodhi Tree, on the Immovable Spot, and straightway was approached by Kama-Mara, the god of love and death.


The dangerous god appeared mounted on an elephant and carrying weapons in his thousand hands. He was surrounded by his army, which extended twelve leagues before him, twelve to the right, twelve to the left, and in the rear as far as to the confines of the world; it was nine leagues high. The protecting deities of the universe took flight, but the Future Buddha remained unmoved beneath the Tree. And the god then assailed him, seeking to break his concentration.


Whirlwind, rocks, thunder and flame, smoking weapons with keen edges, burning coals, hot ashes, boiling mud, blistering sands and fourfold darkness, the Antagonist hurled against the Savior, but the missiles were all transformed into celestial flowers and ointments by the power of Gautama’s ten perfections. Kama-Mara then deployed his daughters, Desire, Pining, and Lust, surrounded by voluptuous attendants, but the mind of the Great Being was not distracted. The god finally challenged his right to be sitting on the Immovable Spot, flung his razor-sharp discus angrily, and bid the towering host of the army to let fly at him with mountain crags. But the Future Buddha only moved his hand to touch the ground with his fingertips, and thus bid the goddess Earth bear witness to his right to be sitting where he was. She did so with a hundred, a thousand, a hundred thousand roars, so that the elephant of the Antagonist fell upon its knees in obeisance to the Future Buddha. The army was immediately dispersed, and the gods of all the worlds scattered garlands.


Having won that preliminary victory before sunset, the conqueror acquired in the first watch of the night knowledge of his previous existences, in the second watch the divine eye of omniscient vision, and in the last watch understanding of the chain of causation. He experienced perfect enlightenment at the break of day.


Then for seven days Gautama—now the Buddha, the Enlightened—sat motionless in bliss; for seven days he stood apart and regarded the spot on which he had received enlightenment; for seven days he paced between the place of the sitting and the place of the standing; for seven days he abode in a pavilion furnished by the gods and reviewed the whole doctrine of causality and release; for seven days he sat beneath the tree where the girl Sujata had brought him the sweetness of nirvana; he removed to another tree and a great storm raged for seven days, but the King of Serpents emerged from the roots and protected the Buddha with his expanded hood; finally, the Buddha sat for seven days beneath a fourth tree enjoying still the sweetness of liberation. Then he doubted whether his message could be communicated, and he thought to retain the wisdom for himself; but the god Brahma descended from the zenith to implore that he should become the teacher of gods and men. The Buddha was thus persuaded to proclaim the path. And he went back into the cities of men where he moved among the citizens of the world, bestowing the inestimable boon of the knowledge of the Way.

SOURCES FOR THE LIFE OF THE BUDDHA

Mendicant monks--Sukhodaya (Sukhothai).
Sukhodaya, Thailand.

The biography of the supposedly historical Buddha is recorded in the Buddhist canon, written four centuries and more after his death. This story was embellished by the Ceylon chronicles, written in the fourth and fifth centuries CE. Even if there had been a historical Buddha, this personage would be so overlaid with myth as to be impossible for the real man to reemerge through the mist of time. The Canonical Pali literature is divided into three main divisions called pitakas (baskets), and the Buddhist scriptures are consequently called the Tripitakas (Three Baskets).

"All the books in the Tripitakas that contain [supposedly] historical matter and discourses are composed in the form of anthologies. Consequently a consecutive chronological account of the Buddha's life has to be pieced together from material scattered all over the Vinaya and Sutta Pitakas. Those books do contain a picture complete in itself and contrasting in its simplicity with the ornate and florid later versions (the Sanskrit Lalitavistara, for example, or the less known introduction to the Pali Birth Stories in Buddhaghosa's Jataka Commentary). Compared with these, the account it provides of the period up to the Enlightenment seems as lean and polished as a rapier, a candle flame or an uncarved ivory tusk." From The Life of Buddha, Bhikkhu Nanamoli.

"The Buddhist Pali Cannon is widely used for this period in spite of its imprecise chronology although some attempts have been made at a chronological stratification. Among the Buddhist texts, sections of the Digha, Majjhima, Sanyutta and Anguttara Nikayas are early. The Vinaya Pitaka and the Jatakas are later, some parts of which possibly date to the Mauryan period. The Jataka literature is more difficult to date as the verses in it are believed to be of an early origin." From History & Beyond, Romila Thapar.
Hence the stories of the jatakas couldn't have been spoken by the Buddha; the verses were 'borrowed' from the Brahmins. See here for sources of the Jataka.
Buddhist literature may be divided into 1) The Pali Canon (Tripitaka); 2) The Post-Canonical Works; and 3) The Sanskrit Canon (not shown).

The primary sources may broadly be divided into three different categories, namely:

1. CANONICAL PALI LITERATURE (4th century to 1st century BCE) The first pitaka is the Vinaya Pitaka (Discipline Basket), a large part of which is dry and technical reading; but there is interspersed much narrative of events of the life of the Buddha. The Buddha is himself supposed to have laid down all these rules as occasion suggested their necessity, and the object of these stories is to explain the circumstances under which he did so. Skeptics, of course, believe that the monastic disciplines were laid down first and then stories purporting to be of the life of Buddha were worked into the narrative to lend it sanctity.



a. Tripitakas.

i. Vinaya Pitaka.......1. Sutta Vibhanga.............a. Parajika.
............b. Pacittiya.

......2. Khandhakas.
............a. Mahavagga.
............b. Cullavagga
.
......3. Parivara.
......4.
Patimokha.
The second of the three Pitakas, or Baskets, is called the Sutta Pitaka (Sermon Basket). It consists of a great number of sermons and discourses in prose and verse, delivered by the Buddha or some one of his disciples, and is extremely interesting to anyone studying the philosophy and folklore of Buddhism.

ii. Sutta Pitaka.......1. Digha Nikaya. ............a. Mahaparinibbana Suttanta (& 33 other suttas.)......2. Majjhima Nikaya.............a. Three books each of 50 suttas.......3. Samyutta Nikaya.............a. Several samyuttas or groups.......4. Anguttara Nikaya.............a. 11 Nipatas. ......5. Khuddaka Nikaya.............a. Khuddakapatha.
............b.
Dhammapada.
............c. Udana.
............d. Itivuttaka.
............e. Sutta Nipata.
............f. Vimanavatthu.
............g. Petavatthu.
............h. Theragatha.
............i. Therigatha.
............j.
Jatakas :
a collection of Buddhist folklore about previous incarnations of the Buddha, both in human and animal form.............i. Consists of gathas, or stanzas, and is divided into 22 sections (nipatas) which are arranged in a number of stanzas. The first contains 150 jatakas, the second 100 jatakas, and the third 50 jatakas. Composed in North India (Madhyadesa) by the end of the 2nd century BCE.............k. Mahaniddessa.
............l. Cullanidessa.
...........m. Patisambhidamagga.
............n. Apadana.
............o. Buddhavamsa.
............p. Cariyapitaka.

The works composing the third Pitaka are, of all the Buddhist scriptures, the dreariest and most forbidding reading, and this is saying a great deal. However, like the Sahara desert, they are to be respected for their immensity. The title of this Pitaka is Abhidhamma Pitaka (Metaphysical Basket).
iii. Abhidhamma Pitaka.......1. Dhammasangani.
......2. Vibhanga.
......3. Kathavatthu.
......4. Puggalapannatti.
......5. Dhatukatha.
......6. Yamaka.
......7. Patthana.



2. POST-CANONICAL PALI LITERATURE comprises mainly the extra canonical works, Pali commentaries and Pali chronicles written during the period extending from the beginning of the Christian era to the close of the 4th century CE or the beginning of the 5th century CE.
Menander, Bactrian Greek philosopher-king of Northwest India, 115-90 BCE.
a. The most important extra canonical work popularly known as Milindapanha is based on the conversation between the Bactrian Greek King Menander or Milinda (circa 2nd century BCE, with his capital at Sagala, modern Sialkot) and Nagasena. Menander probably lived in the second century BCE, and the Milindapanha was probably composed about the beginning of our era. The Milindapanha is, strictly speaking, a North Buddhist work, but is considered orthodox by the South Buddhists (Sri Lanka, Burma, Thailand).
Three of the most celebrated Buddhist scholiasts to whom several Pali commentaries are ascribed are Buddhadatta, Buddhaghosa, and Dhammapala. All of them went to Sri Lanka (Simhadesa) from different parts of India to compose commentaries in Pali. Buddhadatta and Buddhaghosa were contemporaries, circa 5th century CE. Writings include Samanta Pasadika, Sumangalavilasini, Papancasudani, Manorathapurani, Khuddakapatha, Sutta Nipata, Dhammapada Atthakatha, Katthavathu, Atthasalini, Jataka Atthakatha; Paramatthadipani, Digha Nikaya Atthakatha, Majjhima Nikaya Atthakatha, Samyutta Nikaya Atthakatha, Anguttara Nikaya Atthakatha, Jataka Atthakatha, Abhidhamma Atthakatha, etc.
b. There are two important Pali chronicles, Dipavamsa is the oldest known Pali chronicle of Sri Lanka which deals with the history up to the time of Mahasena (325-352 CE), which can be ascribed to the 4th century CE. The other chronicle is the Mahavamsa, composed by Mahasama (5th century CE) which deals with the history of Sri Lanka up to the time of Mahasena.
Psalms of the Sisters.

3. SANSKRIT BUDDHIST TEXTS

Xuanzang traveled to India in the 7th century CE to collect Buddhist manuscripts which he took back to China and translated.

a. Important Sanskrit Buddhist texts include Mahavastu, Divyavadana, Boddhisattvadana-Kalpalata, Mahavastu Avadana and Lalitavistara.

Wednesday, August 12, 2009

DATING THE BUDDHA (448--368 BCE)


This skeptic of course doesn't believe in a historical Buddha; but if there had been, when would he have lived? Most scholars now believe that Buddha lived much later than the traditional date adhered to in Sri Lanka and Southeast Asia, which places his death at 544--543 BCE.
This revision was brought about by a major Buddhist symposium, convened by Heinz Bechert at the University of Göttingen in 1988, which brought together scholars from around the world to examine the issue from every position, discipline, and language imaginable. The symposium offered dates for the Buddha’s death ranging from 483 BCE down to 368 BCE; most participants suggested that the Buddha died within a couple of decades on either side of 400 BCE.

Taking the most recent date proposed for his death, 368 BCE, (favored by Bechert) and since he supposedly lived eighty years, he would have been born in 448. While on the surface this new dating for the Buddha’s death doesn’t seem earthshaking, either for Indian history or Buddhist studies, yet it is. Virtually everything we know about the earliest Indian Buddhism, and especially its sectarian movement, is once again called into question.
Prior to the Göttingen symposium, there were four basic dating schemas for computation of the Buddha’s historical dates: (1) the long chronology; (2) the “corrected” long chronology; (3) the short chronology; and (4) the “dotted record.” Each one has problems; I won’t go into the details of all of them, just the first one. For more information, see here.

The long chronology, adopted in Sri Lanka and Southeast Asia relatively recently, suggests the date of the Buddha’s death is 544--543 BCE, derived exclusively from Theravadin sources such as the Dipavamsa, Mahavamsa, and Samantapasadika. This date is accepted by virtually no modern scholars of Buddhism, the reason being that the chronology places Buddha’s death 218 years before the consecration of King Asoka, but assumes the date of his coronation to be 326 BCE.

But according to Richard Gombrich, “Asoka’s dates are approximately established by the synchronism between his 13th major rock edict, which is dated by scholars in the 13th year after his consecration, and the five monarchs of the Hellenistic world named therein as reigning at the time. The date of the edict must be 255 [BCE], give or take a year; Asoka’s consecration is accordingly dated 268 [BCE].” In other words, there is a slippage of sixty years in the long chronology which cannot be accounted for.

Can we say anything with certainty based on the symposium? No; we’re as much in the dark as we were about the years the Buddha lived, which is all grist for the mill for skeptics like myself. If scholars can’t agree on a supposedly historical figure’s birth date, and vary by centuries in their estimate, then this is a problem. Moreover, although all the texts examined agree that a first council was held in Rajagraha during the first rainy season following the Buddha’s death, many scholars suppose that this event may have been fictitious, invented upon the occasion of the second council so as to lend authenticity to the sequence of events following the Buddha’s death. Think about it, India fourth century BCE; how are they going to contact all the delegates and get them to come to one place on time? India then was a sparsely populated country with poor communications; most of the mendicant monks must have been in jungle retreats, etc. It’s hard enough to bring 500 monks together in the 21st century.
Second, all the texts do affirm that a second council was held in Vaisali, 100 years following the first council, and virtually all scholars acknowledge the historicity of this event. I’m not so sure; in Buddhism fact and fiction are so intertwined that it would be like trying to separate flour and sugar that’s been kneaded together to make dough. Or, as H. H. Wilson wrote, it is “not impossible, after all, that Sakya Muni is an unreal being, and that all that is related of him is as much a fiction as is that of his preceding migrations.”

THE BIRTH OF THE BUDDHA

The Scripture of the Savior of the World,
Lord Buddha--Prince Siddartha styled on earth
In Earth and Heavens and Hells Incomparable,
All-honoured, Wisest, Best, most Pitiful;
The Teacher of Nirvana and the Law.

Then came he to be born again for men.

Below the highest sphere four Regents sit
Who rule our world, and under them are zones
Nearer, but high, where saintliest spirits dead
Wait thrice ten thousand years, then live again;
And on Lord Buddha, waiting in that sky,
Came for our sakes the five sure signs of birth
So that the Devas knew the signs, and said
"Buddha will go again to help the World."
"Yea!" spake He, "now I go to help the World.
This last of many times; for birth and death
End hence for me and those who learn my Law.
I will go down among the Sakyas,
Under the southward snows of Himalay,
Where pious people live and a just King."

From Light of Asia, Edwin Arnold.
Buddha's mother Maya gave birth to him under a sal tree, (Shorea robusta).
Buddha spent the first twenty-nine years of his life at Kapilavastu, the capital city of a republic in the Middle Land, (Madhyadesa), according to the Buddhist scriptures. This is a town nestled on the plain between the Himalayan foothills and the Ganges River. (This blog's thesis is, however, that Buddha was of Gandhara.) Buddha’s father Suddhodana was not a king but a raja, and obviously Buddha couldn’t have been born a prince, though later tradition made him one. The legend was embellished by the Sinhalese in their Dipavamsa and Mahavamsa chronicles, written fourth to sixth centuries CE, to record the history of their island and royal dynasties. It was important to associate Buddha with kings, including Asoka, to bolster their own kings' legitimacy.
Buddha died between two sal trees.

Importantly, the Buddha was born into the kshatriya class rather than the brahman class; he was in fact to rebel against the Brahmins and their belief in gods and sacrifice as a means of personal salvation, a rebellion which already had faint stirrings in the Upanishads. Although he was not born into a brahman family, it was from the start clear that Buddha would be an extraordinary human being, a man destined for greatness.

The nobles of the conquering Indo-Aryan tribes who invaded ancient India (after the Vedic period), such as the Sakas, were co-opted into the caste system as kshatriyas. Hence the story of the Buddha stresses that he was a kshatriya and not a brahman.

First, the Buddha’s conception was immaculate, a detail not dwelled upon in later Buddhist texts, but which, at the very least, marks the young Siddhartha as a particularly special person, one who is also not tainted by the impurity associated with sexual activity in Indian and ancient thought. According to the early Buddhist tradition, the Buddha’s mother, Maya, dreamed that a white elephant—a standard symbol in Indian literature for royal power—entered her womb and implanted a fetus there. She then discovered that she was, in fact, pregnant. Upon learning of his wife’s unusual pregnancy, Suddhodana didn’t think this particularly strange; compare the story of Mary and Joseph in the Gospels. Nothing daunted, Suddhodana summoned his sages to interpret the significance of his wife’s puzzling dream. They duly predicted that the child would be a boy, and that he would be destined for greatness—either he would inherit his father’s kingdom and become a great ruler (Chakravartin, a ‘wheel-turning’ monarch) or he would leave his home and family and become a great religious leader (a buddha, or an ‘enlightened one.’)

Relief Panel with the Dream of Queen Maya (Buddha's Conception),
Pakistan, ancient region of Gandhara.

Kapilavastu was Buddha’s hometown but he was not born there. (Compare Jesus of Nazareth, born in Bethlehem.) According to the Nidanakatha, the introductory narrative to the Jatakas (birth-stories of Buddha’s previous lives), Maya, Buddha’s mother, who was forty at the time, set out shortly before she was due to give birth to stay with her parents in Devadaha, in order to have the child there, supported by her mother Yasodhara. The journey in bumpy ox-cart over hot and dusty roads brought the birth on prematurely before she reached her destination, at the village of Lumbini, with no protection but that provided by sal trees (Shorea robusta), and without medical assistance, Siddhartha, the future Buddha, was born in May, 448 BCE. Legend has it that Maya gave birth to the child standing and holding on to a branch of a sal tree, and the child emerged from her side, apparently because the birth canal was considered unclean for the future Buddha to pass through; but it may also be connected to a pan-Indian tradition that asserts that the trauma of vaginal birth is what wipes out memory of previous lives. In this context, since the Buddha is aware of his previous existences, he obviously could not have been born vaginally.
Relief Panel with the birth of the Buddha Sakyamuni,Pakistan, ancient region of Gandhara.
It is incomprehensible that Suddhodana would have permitted Maya to travel over dangerous and bumpy trails just when she was expecting his first child, unaccompanied by medical attendants or soldiers to protect them from robbers. It was no wonder that the birth came on prematurely, and miraculously, witnessed only by Maya’s own personal serving maids. Also the reason for the journey, so that she could have her mother by her side, seems a trifle flimsy. (Another version says that she had taken the journey for pleasure, flimsier still, seeing the condition she was in.) It wasn’t as if Maya was some spring chicken—she was forty—her mother would have been sixty or seventy and totally incapable of any physical assistance. Would it not have been wiser for Maya to have stayed at home and given birth there, with all the assistance her husband’s minions could have provided? Anyway, Maya was unable to continue her journey to Devadaha, so she and her small retinue returned to Kapilavastu, exhausted. The journey was a bad idea from the start; in the bible we see that Jesus was also born while his parents were on the road so that he could be born in Bethlehem to fulfill a supposed prophecy. Is there any connection between the two stories, one wonders? (Well, of course there is. See here.)

The miracles didn’t end there. Buddha emerges from the womb, diving out of his mother’s side, spotlessly pure. He is caught by a group of attendant devas (devine beings), often in a pure cloth or, sometimes, in a golden net. But the miraculous oddity of his birth does not end there: the baby, who is typically depicted more like a young boy than like a newborn, turns in each of the cardinal directions, determines that he is the foremost of all beings in the world, and then takes seven steps toward the east (the auspicious direction, which he will also face at the time of his enlightenment), and proclaims that he is the chief of the world. While these miraculous acts are agreed to be mythical and are intended by the Buddhist tradition to emphasize the special qualities and powers of this most exalted of all persons, it hasn’t stopped the ignorant faithful down through the ages in believing that they were real, no less than present-day Christians believe in the miracles associated with Jesus’ life and death.

Maya died seven days after giving birth, the fate reserved for the mothers of all buddhas, which would at the least prevent them ever having their wombs defiled by lesser mortals.

GANDHARA—LAND OF THE BUDDHA?

Loriyan-Tangai. Relief of Buddha surrounded by worshippers. Lahore Museum. Notice Buddha's moustache.
Gandhara seems to have taken to Buddhism with surprising speed and vigor, based on the archaeological remains and statuary found there. The earliest datable Buddhist sites, Butkara I in the Swat Valley and the Dharmarajika complex in Taxila, near Sirkap, are dated to the early second century BCE. Even conceding that Asoka introduced Buddhism to Gandhara through his missionaries, as per legend, the country would have had to have been converted and its art and culture adapted in response to this new religion within less than two centuries. This would have required a massive evangelical effort, which seems rather improbable in the period before the Common Era, for a religion like Buddhism, where salvation is believed to be achieved through personal striving.
The video above, from the BBC series "In the footsteps of Alexander the Great," shows scenes from Gandhara, such as the Swat Valley.
From Buddhist Art of Gandhra by Sir John Marshall.
Gandhara was the ancient name of the tract of country on the west bank of the Indus river which comprises the Peshawar Valley and the modern Swat, Buner and Bajaur. It was a country with rich, well-watered valleys, clear-cut hills and a pleasant climate: a country where a Greek might well dream of being back in his homeland. Situated on the border between India and western Asia, Gandhara belonged as much and as little to the one as to the other. In the sixth and fifth centuries BCE, it formed part of the Achaemenid empire of Persia. In the fourth it was occupied for a brief period by the armies of Alexander the Great. Thereafter it was conquered by Chandragupta Maurya, but after a century of Indian rule the West again asserted itself, and for another century (roughly, the second century BCE) Greek dynasts took the place of India. Then came, early in the first century BCE, the victorious Sakas or Scythians, to be followed, after yet another century, by the Parthians and Kushans. And even then the tale of foreign conquest was not ended. For in the third century CE Gandhara again reverted to Persia, now under Sasanid sovereigns, and was again re-conquered by the Kidara Kushans in the fourth. Finally, the deathblow to its prosperity was given by the Ephthalites or White Huns, who swept over the country about 465 CE, carrying fire and sword wherever they went and destroying the Buddhist monasteries.
Gandhara (red circle).
The people of Gandhara were thoroughly cosmopolitan in their culture and their outlook. Of their physical appearance we get some idea from the old sculptures. Some of the men, with strikingly tall and dignified figures, closely resembled many present-day Pathans, and wore the same distinctive kind of baggy trousers and sleeved coat. Others were characteristically Greek; others just as characteristically Indian. And, no doubt, if we knew more about them, we should recognize other racial elements portrayed by the sculptors. The common speech of the people was an Indian Prakrit [Buddha was said to have spoken Prakrit], but the script they used for the writing of this vernacular was not, as might have been expected, the current Brahmi of Northern India but a script known as Kharoshthi—a modified form of the Aramaic of Western Asia, which had been adopted for official use throughout the Persian Empire during Achaemenid times. [Jesus was supposed to have spoken Aramaic. Link between Buddhism and Christianity?] Other languages and other script were also employed, on occasion, in Gandhara. The coins, for example, normally had Greek legends on their obverse, Kharoshthi on their reverse; but in rare cases the legends were in Brahmi. Brahmi, too, was the usual script employed in the sacred manuscripts of the Buddhists. Nevertheless it is true to say that Gandhara took its everyday speech from India and its writing from the West.
The earliest images of Buddha, such as the one above from Gandhara, clearly show him as an Indo-Aryan.
This intimate fusion of widely divergent elements was equally apparent in the religious life of the people. As each successive conqueror added his quota to the local gallery of deities and creeds, the number and variety went on growing. In the second century CE the coins of the Kushan kings Kanishka and Huvishka, whose capital was at Peshawar, exhibit a truly amazing gallery of gods and goddesses probably unparalleled elsewhere in the field of numismatics. Most numerous are the Iranian types, including among others the sun (Mioro), the moon (Mao), the wind (Oado), fire (Athsho), war (Orlagno), victory (Oanindo). The names are given in corrupt Greek. Not all these multifarious deities were all worshiped at the heart of the Kushan empire in Gandhara; for they may well have been designed as a means of popularizing the new gold currency in distant parts of the Kushan empire and even beyond its borders, where it was hoped the currency might compete with the Roman aureus. Indeed, the great predominance of Western Asiatic types on these coins suggests that the currency was intended for use in the West rather than in the East. But, however this may be, this gold coinage leaves us in no doubt that the attitude of the Kushans towards religion was as thoroughly cosmopolitan as it was towards other matters, as cosmopolitan indeed as that of the Romans or Alexandrians, and perhaps no less practical. Looking at this coinage one would never guess that in the time of Kanishka and Huvishka Gandhara and the greater part of the Kushan empire were overwhelmingly Buddhist.
The beginnings of Buddhism in Gandhara go back no further than the middle of the third century BCE when the Maurya emperor Asoka sent one of his many missions to spread the gospel of his newly adopted faith among his subjects on the Northwest Frontier. [I've argued elsewhere that there is insufficient evidence to maintain that he converted to Buddhism.] Evidence of this mission’s activities may still be seen in the fourteen Edicts of the emperor engraved on the rocks at Shabaz-Garhi in the Peshawar Valley, which set forth the Buddhist principles of religion and ethic, and such simple rules of conduct as Asoka deemed most conducive to the welfare of his people.
To Asoka was also due the outstanding importance of the stupa or funeral mound as an emblem and cultural object of worship among the Buddhists. For one of the many acts by which he sought to popularize the Sakya faith was the gift to each of the principal cities in his dominions of a portion of the body relics of the Buddha. These he obtained by opening the seven of the eight stupas in which the relics had originally been enshrined and dividing up their contents. Along with the relics he also presented each city with a stupa worthy of housing them. [On the other hand this could be stuff of myth and legend.] In making these gifts the emperor may well have recognized the value of providing the worshippers with some visible and tangible object on which to focus their thoughts and prayers. But, whatever his purpose, the effect of these relic-stupas was profound and lasting. Not only did the presence of the relics make them cult objects of worship, but in after days the stupa itself, whether it contained a relic or not, was worshiped for its own sake; so that the mere erection of a stupa large or small and in whatever material, became an act of merit, bringing its author a step nearer salvation. [Not true; in Buddhism, doing good actions can never lead to salvation. “Whoever shall do nothing but good works will receive nothing but excellent future rewards.” The aim of the disciple is not to accumulate merit, but to win insight.] This matter of the stupa cult deserves our particular attention because it was on the adornment of the stupa that the early Buddhists lavished the wealth of their sculpture, and stupas, sometimes richly decorated, figure prominently among the reliefs of Gandhara.
By the side of some of his relic-stupas Asoka also erected tall pillars of stone, crowned by lions or other symbolical animals and usually inscribed with one or more of his Edicts. These, too, came to be looked on as characteristic emblems of the Buddhist Church, and are frequently to be seen portrayed in the sculptured panels of the Early Indian and Gandhara Schools. The finest of the pillars were executed by Greek or Perso-Greek sculptors; others by local craftsmen, with or without foreign supervision.

How Buddhism fared under the Greek princes of the Northwest during the second century BCE is largely a matter of inference and surmise. For among the myriads of Buddhist monuments and antiquities that have survived until the present day there is not one that can be referred with certainty to Greek authorship in the second century before our era. Indeed, the only positive bit of information about this Greek period that we possess is the story told in the Milindapanha about King Menander (reigned circa 140--110 BCE) and his conversion to Buddhism by Nagasena. Though the story may be largely apocryphal, there is no reason for doubting its substantial truth. The Greeks were very open-minded about religious matters; and the teaching of the Sakyamuni, by its essentially ethical character, by its logical reasoning, and by the stress it laid on free will and the observance of the golden mean, was bound to make a strong appeal to the Greek intellect.
[This supports my thesis that Buddhism was an invention of the philhellenic Sakas or Scythians and not the invention of a Vedic mind.] Moreover, from a political point of view Menander must have had the strongest reasons for identifying himself with the Buddhist Church in its struggle against their common enemy, the Sunga king Pushyamitra, and the violent Brahmanical reaction championed by him, which had led to the wholesale destruction of Buddhist monasteries in the Eastern Panjab.
Time Line.
518—515 BCE. Conquest of the Indus valley by Darius I. By shunting Buddha’s date forward by about a century, India’s first certain (more or less) date becomes the conquest of the Indus valley by Darius I, he whose far-flung battles included defeat at Marathon by the Athenians in 490 CE. Before this, Darius had evidently enjoyed greater success on his eastern frontier; a Persepolis inscription, dated to circa 518, lists amongst his numerous domains that of ‘Hi(n)du.’ An earlier inscription also refers to ‘Gadara,’ which looks like Gandhara, a mahajanapada or ‘state’ mentioned in both Sanskrit and Buddhist sources and located in an arc reaching from the western Panjab through the northwest frontier to Kabul and perhaps into southern Afghanistan (where ‘Kandahar’ is the same word). According to Xenophon and Herodotus, Gandhara had been conquered by Cyrus, one of Darius’ predecessors.

448/480 BCE. Birth of the Buddha (high and low range).

368/405 BCE. Death of the Buddha (high and low range).

331—327 BCE. Alexander the Great (ruled 336-323). Alexander's Indian campaign follows not long after Buddha's death. He is in Gandhara, conquers Taxila, and arrives at the Indus River.

The Indian king Porus on his war elephant, attacked by Alexander on horseback, a coin struck by Alexander to celebrate his victory in 326 BCE.

322 BCE. The rise of Chandragupta Maurya.

313—312 BCE. Chandragupta Maurya king of Magadha / Megasthenes at the court of Pataliputra, identified as modern Patna. But according to Dr. Ranajit Pal, this is incorrect. See A New Non-Jonesian History of the World.

264 BCE. Accession of Asoka. (Asoka’s stupas are difficult to identify in the archaeological record, but were likely built at important Buddhist centers in Gandhara and the Ganges Basin.)

200 BCE. The first Buddhist sites are founded in Gandhara, but no religious imagery is known from this period, (Butkara I, Swat valley and Dharmarajika, Taxila). The few Asokan rock-cut edicts that remain in Afghanistan and Pakistan do not directly address the introduction of Buddhism into Gandhara; many scholars have nonetheless considered them evidence of the beginning of Buddhism in the region. [If Asoka had introduced Buddhism to Gandhara, wouldn't he have boasted about it on his rock-cut edicts?] Not until the early second century BCE, however, was the earliest datable Buddhist site, Butkara I in the Swat Valley, founded in Greater Gandhara. The only other Buddhist site in Gandhara that can be attributed to the second century BCE is the Dharmarajika complex in Taxila, near Sirkap.
Dhamarajika, Taxila.
circa 168 BCE. King Menander (reigned circa 140--110 BCE) withdraws from the Magadha to the Panjab (until circa 145). According to Dr. Pal, Magadha is not modern Bihar; if it was it would mean that the Indo-Greeks controlled territory all the way to east India.
Menander, Bactrian Greek philospher-king of northwest India.
circa 150 BCE. The stupas of Bharhut and Sanchi / The Buddhist philosopher Nagasena / The Milindapanha.
Sanchi, Great Stupa, seen from the east, before 'restoration'.
circa 130 BCE. Invasion of Bactria by the Yuezhi tribe.

circa 90-80 BCE. Invasion of the Sakas (Indo-Scythes) / Collapse of the Greco-Bactrian kingdoms.
circa 70 BCE. The vedika of Bodh Gaya. Shrine and monastery of Bhaja.

circa 30 CE The toranas of Sanchi.

One of the four carved gateways (toranas) of the railings with which the Great Stupa at Sanchi was embellished.
circa 78 CE. The Saka era. The Kushanas extend their power in India.
1st century CE. First appearance of sculpture embellishing Buddhist sites (Gandhara).

circa 125 CE. Completion of the Ramayana and compilation of the Mahabharata. / The Begram site in Kapisa / Drafting of the Bhagavad Gita / The dramatist Asvaghosa.

circa 144—185 CE. Accession and death of king Kanishka.

Coin of Kanishka, Pakistan, ancient region of Gandhara.
A coin of Kanishka depicts, on the obverse, the king standing and facing left; he has a full beard and wears a pointed hat and heavy felt coat, a mode of dressing similar to that of Parthian kings, which marks him as coming from a land outside South Asia. Kanishka reaches out with his right hand to make a sacrifice at a low altar; in his left hand he carries a spear. Flames issue from his right shoulder, indicating his superior natural powers. The reverse of the coin shows a four-armed Shiva, a Hindu god, who is wearing a dhoti (loincloth) and holding a vajra (a weapon), and ankusa (elephant goad), a trident, and an antelope by the horns. No aspect of this coin's iconography makes reference to the Buddhist faith, which is especially significant since later Buddhist text sources refer to Kanishka as a great Buddhist king, equal only to Asoka. Kanishka did mint coins with images of Buddha on the reverse, but he also had coins produced showing a range of other South Asian (Hindu) and Near Eastern deities, associating his portrait with various gods venerated by the people of his realm and by his Near Eastern trading partners.
1st—3rd century CE. Kushan dynasty controls much of Greater Gandhara and north India, reaching the zenith of its power under kings Kanishka (ruled CE 129-155) and Huvishka (ruled 155-193).

2nd century CE. Period when many Buddhist sites are founded and when most Gandharan Buddhist native sculpture is produced.

3rd century CE. Devotional icons of the Buddha and bodhisattvas begin to be sculpted. Schist remains an important medium, but clay, stucco, and terracotta start to be widely used.

Before 200 (?) The Buddhist philosopher Nagarjuna.

Before 300 (?) The sites of Nagarjunakonda and Goli.

circa 375—circa 414. The most splendid of the Ajanta caves / The philosophers Asanga and Vasubandhu / The poet and dramatist Kalidasa.

3rd—5th century CE. Period of greatest prosperity in Gandhara; new Buddhist sacred sites are founded and older ones are greatly expanded. Most Gandharan Buddhist iconic sculpture is produced during this period.


Massive rock-hewn Buddhist caitya at Mes Aynak, Ancient Gandhara.

4th—5th century CE. Devotional icons become monumental, and the iconography of Buddha images becomes more complex.

5th—6th century CE. Various Hun people take control of Gandhara. There is a gradual decline in donor patronage to Gandharan Buddhist sacred areas; as they contract, Buddhist communities re-use older sculpture.

Early Chinese pilgrims, for example, considered the relics at sites in Afghanistan and Gandhara, rather than the sacred sites of north India, the culmination of their travels through Central Asia.